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Photographer · Auckland · shoots by inquiry

A look at a time

I'm a portrait and fashion photographer in Auckland. Each shoot is a numbered look, and I take shoots and portrait days by inquiry.

Woman in a terracotta dress on black sand at dawn
Look 01 · look 14 · linen set · black sand at low tide
Model in a sage green suit on a concrete ledge
Look 02 · look 15 · tailoring · a car park roof at noon
Hands gripping a cream wool coat collar with silver rings
Look 03 · look 15b · hands and cloth · a detail
Model in a red dress walking through tussock grass
Look 04 · look 16 · a knit coat · a field by the airport
Model in profile in a cobalt shirt on a peach backdrop
Look 05 · look 17 · a portrait day · one window, one wall
Model in a mustard blazer on an Auckland wharf
Look 06 · look 18 · a long coat · the harbour at six

Work with me · Auckland and around

Shoots and portraits

We agree the look first, then I plan the place and the light. You get numbered looks within a week.

Sina shooting with a camera on a dark New Zealand beach
On a shootAuckland
  • A portrait day

    fromNZ$450

    Two hours in a plain place, for a person, a couple or a small team.

    Up to 2 hours · 20 edited photos · gallery in 10 days

  • A fashion shoot

    fromNZ$1,200

    A half day on location for a designer or a small label, with up to four looks.

    Up to 4 hours · 4 looks · 40 edited photos · gallery in 2 weeks

  • A lookbook

    fromNZ$2,400

    A full day and a set of numbered looks, ready to print or publish.

    A full day · 12 looks · layout notes · gallery in 3 weeks

Ask about a date

I reply within two days. Shoots run Tuesday to Saturday.

To keep

The guide, the course and a tote

Close portrait of Sina in an indigo denim jacket

About

Hi, I'm Sina

I grew up in Mangere and borrowed my uncle's film camera when I was fifteen. I studied photography in Auckland, assisted a fashion photographer for four years, and have worked for myself since 2021.

I like a plain place and one good light. Most of what I shoot is a designer's first look at a new piece, so I keep the crew small and the day short, and I send the numbered looks as soon as they are edited.

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Contact sheet

One shoot a month: the contact sheet, the light I used and the thing that went wrong.

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